屏幕内外全方位的寒冷但是Mary Anning说 It is warm原来看到那个人就不会再下雪了镜头非常促拘在有限的时间里大量地去聚焦局部的步态、手工以及环境的一隅将多数的叙事都抛之画框之外就好像这个突然展开又突然收尾的故事如一片LISA疯马秀成为时间长河里一个片刻的凝固它没有流动确在那一刻在某些心思里在某个不为人知的角落成为永恒的痕迹Lee克制到口是心非越想热烈温存就越用最冰冷粗糙的方式展现一如Anning在最后说出那些严厉的话语后逃离这种扭曲恐怕不是个人而是有更多外在的东西罗南用的什么卷发棒啊这个卷发真棒
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最后一集金句频出这强烈的共鸣感证明我是中年人了吗…… Contentment breeds quiet, which breeds complacency, which breeds unrest. Her marriage was a witness to all of her other failures, like a comorbidity to how she was just getting old. Her marriage is not perfect, but it's not like her being not married is ever gonna make her young again. Nothing could make her unmake the choices that she made. She just didn't know that when she was making the choices that they were gonna limit her other choices that she could make in the future. How can you live when you used to have unlimited choices and you don't have them anymore?